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Scene from Jack Smith and the Destruction of Atlantis

Scene from Jack Smith and the Destruction of Atlantis

Scene from Jack Smith and the Destruction of Atlantis

Jack Smith and the Destruction of Atlantis

A film by Mary Jordan

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“Entrancing! Evokes something of Smith’s floating, ravishingly colorful dreamscapes – a menagerie of creatures!”
– David Edelstein, New York Magazine

“Irresistible.” – Richard Corliss, Time

“Extraordinary. A triumph!"
– Jay Weissberg, Variety

“Grade A! Intoxicating! A love poem to the New York City of the ‘50s and ‘60s. (Smith was) the visionary of camp (who) more or less invented performance art…the ultimate penniless purist. (The film) may be a fuller, more ravishing Jack Smith work of art than Smith himself ever created. The movie is also an elegy - for a lost New York, but also for the vanished dream of an American counterculture. Smith created a utopia, a thrift-shop Atlantis of the spirit, only to destroy it in order to save it. That was its tragic beauty.”
– Owen Gleiberman, Entertainment Weekly

Scene from Jack Smith and the Destruction of Atlantis

Scene from Jack Smith and the Destruction of Atlantis

Scene from Jack Smith and the Destruction of Atlantis

“Mary Jordan’s terrific documentary unfolds with the same amount of passion found in one of Smith’s fever dreams.”
– Melissa Anderson, Time Out NY

“An accessible, entertaining documentary.” – Matt Zoller Seitz, The New York Times

“The notorious ne plus ultra of underground filmmakers! Smith was the cult filmmaker’s cult filmmaker!”
– Ed Halter, Village Voice

“Smith, a penniless visionary in the purest sense, was a fountain of transgressive ideas that generations of artists have
tapped for their own work. (The film is) a unique collage …winningly done… animated by the sound of Smith’s own voice,
which hovers as a slightly unearthly narrator speaking in a wobbly falsetto. A grand evocation of a bohemian New York
that might seem to be long gone, yet proves to be ever resilient, like a daisy pushing up through the concrete.”
– Steve Dollar, The New York Sun

“A happy paradox, an inspiring movie full of a sense of loss… Much of what Warhol did, Smith did first.
Artfully put together. The real joys… are clips of Smith’s films and performances and tapes of Smith’s voice.”
– David Frankel, Interview

“A seminal counterculture artist! Not to see it is to fail to understand the avant-garde scene of the ‘60s and ‘70s!
To watch Jordan’s docu is to be reinvigorated and glad that Smith will be remembered by it.”

– Jay Carr, amNY

"A lovingly crafted portrait of the artist...an aesthetic manifesto." – Scott Macaulay, Filmmaker Magazine

For Jack Smith (1932-1989), Atlantis was both the idea of a fantastical utopia and the reality of the Lower East Side apartment in which this prophetic artist staged baroque, improvisational multi-hour one-man theatrical productions, often with a cast of stuffed animals and dolls. An avant-garde photographer, filmmaker, actor, performance artist, and all around “flaming creature,” Smith has been credited as a major influence by Fellini, Godard and Jarmusch. In Mary Jordan’s mesmerizing portrait, he fairly jumps off the screen: a combination mystic, comedian and madman, a protean artist whose vast energy and creativity were undermined (or perversely fed?) by the poverty of his day-to-day life and his paranoid misgivings about just about everything. If there is a heaven for the wonderfully bizarre, Jack Smith resides there, accompanied by his patron saint, Maria Montez.

Produced by Kenneth Wayne Peralta & Mary Jordan • USA • 2006 • 96 minutes

Links:

Official website for the film


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