PREVIOUSLY AT FILM FORUM

DR. STRANGELOVE

“CRITIC'S PICK! EERILY PRESCIENT! History has been flattering to Kubrick's satire...
his ne pas ultra of black comedies still feels
like a peerless take on humanity's appetite for destruction.”
– David Fear, Time Out New York

“A masterpiece...
refuses to age, its ability to provoke simultaneous laughter and terror remains undiminished.”
– Bilge Ebiri, Moving Image Source
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“AS CURRENT, HYSTERICAL, AND TERRIFYING AS EVER! A trenchant satire that posits international power players as goofy, dim-witted and mad, Dr. Strangelove is above all a showcase for the dynamic Peter Sellers, who was never given as strong a project as this in which to display his masterful comic range. Hilarious — and frighteningly plausible.”
– The L Magazine
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“RECOMMENDED! PERPETUALLY RELEVANT... Kubrick’s funny, creepy social satire may be his key film, the one that reveals the director’s black-comic soul. Its mordant tone and deadpan depiction of human absurdity underlies the more sober films that followed.”
– The Onion AV Club

“Kubrick's classic not only hasn't dated one bit, it actually seems
more impressive today! Combines high farce with white-knuckle tension,
and throws in career performances from its excellent cast. ”
New York magazine

(1964) Fearful the Russkies are fluoridating America’s drinking water to pollute “our precious bodily fluids,” Sterling Hayden’s General Jack D. Ripper unleashes those H-Bomb-bearing B-52’s. And then it’s showtime, as gung-ho General Buck Turgidson (George C. Scott, in Oscar-worthy comedy tour de force: “No more than ten to twenty million people killed — tops!”), Colonel “Bat” Guano (Keenan Wynn), bomb-bustin’ cowboy Major T.J. “King” Kong (Slim Pickens), Group Captain Lionel Mandrake (Peter Sellers) and President Merkin Muffley (also Peter Sellers: “Gentlemen, this is outrageous. I have never heard of such behavior in the War Room before!”) struggle to stave off Doomsday, with the eponymous Strangelove (“Mein Fürher! I can walk!” — still Sellers) in the wings. This 35mm print is from a new 4K digitally-created negative (the original neg was destroyed over 40 years ago), made by New York-based restoration specialists Cineric using the best surviving film elements — the result is the sharpest Strangelove you’ve ever seen. Approx. 93 minutes.

Fri/Sat/Sun/Tue/Wed/Thu: 1:10, 3:20, 5:30, 7:40, 9:50
Mon: 1:10, 3:20
A SONY PICTURES REPERTORY RELEASE

“Still one of the great adolescent pranks perpetrated in movies.”
– J. Hoberman

“Restoration gives you every opportunity to savor the absurdities of [Ken Adam’s] visual design, like the mock grandeur of the War Room’s giant roundtable, the huge ring of fluorescent lights and light-dotted wall maps — a child’s vision of the prerogatives of absolute power.”
– Scott Rosenberg

“Devastatingly funny — and at the same time nightmarishly frightening in its accuracy.
A prophetic look at the insanity of superpower politics which, like Orwell’s 1984,
has entered the lexicon of modern political discourse.”
– James Monaco

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“Absolutely unflinching: relentlessly perceptive of human beings to the point of inhumanity...
Kubrick’s precise use of camera angles, his uncanny sense of lighting, his punctuation
with close-ups and occasionally with zoom shots, all galvanize the picture
into macabre yet witty reality.”
– Stanley Kauffmann

“What makes the picture so funny, terrifying and horribly believable
is that everyone in the film really has learned to stop worrying,
as smokers do about lung cancer after living with the statistics for a bit.”
– Penelope Gilliatt