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RETURNING FOR ONE DAY ONLY! FEBRUARY 11 SUN, 2007
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“One of Brando's subtlest and most unnerving performances.” – A. O. Scott, New York Times |
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(1969) As Ennio Morricone’s score
throbs and chants, black men ride white horses in seeming syncopation,
a slave woman trundles a cart carrying her husband’s decapitated
corpse past an island fortress, a blond-bearded Marlon Brando stands
sternfaced before a burning cane field, and a secret agent
and a rebel leader have a final confrontation in a
prison cell. On a Caribbean island in the 1840s,
Brando’s ambiguously-motivated British agent
provocateur William Walker helps the black slaves to
free themselves from their Portuguese overlords. But
ten years later, after the leader he found for them
(Evaristo Márquez’s illiterate sugar cane cutter José
Dolores) has led a revolt of his own against the
British-backed indigenous landlords, Brando returns
— to suppress it. Gillo Pontecorvo’s followup to The
Battle of Algiers was intended as “a marriage between a
classic adventure and the film of ideas.” An almost
laughably snakebit production: Márquez, an actual
illiterate cane cutter who had never seen a film, eventually
gained confidence, but in early stages he had to be so
robotized as to be told to mimic Brando’s offscreen
expressions; a tropical storm wiped out the sets; heat,
humidity, and lousy food plagued the remote location;
and, after a 44-take session, Brando walked off and
demanded the shoot be moved from Colombia to
Morocco. Re-edited and shortened by 20 minutes
— and then dumped — for its initial U.S. release,
this is the complete, unseen Italian-language
version. “An amazing film. . . No one, with the
possible exception of Eisenstein,
has ever before attempted a
political interpretation of
history on this epic scale.” – Pauline Kael. Approx. 132 min. Links: |
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ENNIO MORRICONE Film Music Volume 1 $11.92 tax included [$11.00 plus tax] |
ENNIO MORRICONE Film Music Volume 2 $11.92 tax included [$11.00 plus tax] |
Available from Amazon: |
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