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| PREVIOUSLY AT FILM FORUM | |||
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“A FIERCE AND UNFORGETTABLE PIECE OF POLITICAL ART. (A) disarmingly beautiful investigation of Africa’s social, economic and human crises. A work of cool intelligence and profound anger…a haunting visual poem. There is also another dimension to the movie, an attention to the details of daily life in Bamako, that lends it an extraordinary richness and gravity.” |
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“It’s easy to recommend Abderrahmane Sissako’s exuberant BAMAKO, not least for its vibrant Malian settings and cast of villagers. More substantially, the movie takes on a key issue of our time—African debt and the crippling policies of the International Monetary Fund—and magically manages to be critical without feeling at all like a lecture. The issues are mostly explored in a dazzling fictional trial, one that’s interrupted by a bizarro, Leone-style Western starring Danny Glover. Rarely have politics and pleasure mixed this freely.” “The most politically urgent film in the (2006) New York Film Festival and also the most formally audacious, combines a bracing indictment of the world financial system with a subtle glimpse at daily life in Africa. At the center of this film from Mali is a mock trial, during which robed lawyers argue over whether the World Bank and International Monetary Fund are guilty of increasing Africa’s misery. But around the edges, as passionate speeches are made, we witness a wedding, the breakup of a marriage and the routines of work and play. The juxtaposition of the abstract and concrete, of macrocosm and microcosm, makes BAMAKO much more than the sum of its arguments. It’s a film that needs to be seen, argued over, and seen again.” – A.O. Scott, The New York Times Mali/France • 2006 • 118 minutes
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