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Friday, August 10 - Thursday October 4
(except Mondays) 8 Weeks

NYPD

booked by BRUCE GOLDSTEIN

Special Thanks to James Lardner & Thomas Reppetto, authors of NYPD (see below); Marilee Womack, Linda-Evans Smith, Richard May, Warner Bros.; Michael Schlesinger, Columbia Repertory; John Kirk, Irene Ramos, MGM Distribution; Eric DiBernardo, Paramount Pictures; Anne Goodman, Criterion Pictures; Harvey Applebaum, Steve Feldstein, 20th Century Fox; Jules Dassin; Tom Toth; Kent Jones; Martin Scorsese; Mark McElhatten; Kira Goldsmith; Mike Mashon, Library of Congress; Rob Stone, UCLA Film & Television Archive; Johnny Legend; Larry Cohen; Gary Palmucci, Jessica Rossner, Kino International; Miramax; Artisan Entertainment; Peter Langs, Universal Pictures; Rusty Casselton.

NYPD: A City and Its Police NYPD: A City and Its Police
James Lardner & Thomas Reppetto's
history of New York's police department,
will be for sale at Film Forum
concession stand during the series.
$16 tax included.

For books related to the series
available from Amazon.com
.


FRI, SAT & SUN, AUGUST 10, 11 & 12
DOUBLE FEATURE

DETECTIVE STORY

DETECTIVE STORY

(1951, William Wyler) "It's never a first offense. It's just the first time they get caught."
24 hours in the life of NYC's "21st" Precinct, with super-righteous cop Kirk Douglas routinely strong-arming suspects, especially his wife's ex-"doctor" George Macready. Wyler's mostly single-set direction piles on the claustrophobic tension. With Eleanor Parker, William Bendix and Lee Grant.
1:00, 4:35, 8:10*
*NYPD authors Lardner & Reppetto will introduce 8:10 show on Friday, August 10.
LAURA

LAURA

(1944, Otto Preminger) Clifton Webb's elitist critic Waldo Lydecker acidly narrates, as detective Dana Andrews, on the brink of necrophilia, falls in love with portrait of murdered Manhattan smart-setter Gene Tierney, in the classic romantic noir. "Ripe with perverse sexual overtones." - Foster Hirsch.
2:55, 6:30, 10:05

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PAY OR DIE!
TUES & WED, AUGUST 14 & 15
DOUBLE FEATURE

PAY OR DIE!

NEW 35mm PRINT!

(1960, Richard Wilson) Italian detective Ernest Borgnine wages a one-man war against "the Black Hand" (precursor to the Mafia) - his heroics include saving Enrico Caruso from a bomb! - in thriller based on the career of Joe Petrosino, the only New York cop ever killed on foreign shores in the line of duty.
1:00, 4:40, 8:20

THE MOB

NEW 35mm PRINT! (1951, Robert Parrish) After he lets the docks' crime kingpin Ernie Borgnine get away, there's nothing for plainclothesman Broderick Crawford to do but go undercover to nail him again, with Neville Brand's "Gunner" providing additional mayhem.
3:00, 6:40, 10:20

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THURS, AUGUST 16
DOUBLE FEATURE

SIDE STREET

(1949, Anthony Mann) Disgruntled postal worker Farley Granger dips into the till to cover that family budget, but picks on the wrong guy's roll, and soon it's a three-way chase with both hoods and cops on his tail. Climaxed by car chase through deserted, Sunday morning canyons of lower Manhattan.
1:20, 4:40, 8:00

COP HATER

NEW 35mm PRINT! (1958, William A. Berke) When the third detective killed in the 87th Precinct is his partner, Robert Loggia's Steve Carelli begins to question whether the murderer is the eponymous serialist. From the Ed McBain novel. Plus a "Crime Does Not Pay" short.
2:55, 6:15, 9:35
Note: Due to a schedule change, COP HATER is playing again on Tues & Wed, August 28 & 29

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RETURNING AUGUST 29 TO SEPTEMBER 4, 2003 • ONE WEEK!
THE TAKING OF PELHAM 123

THE TAKING OF PELHAM 123

(1974, Joseph Sargent) Wisecracks and bullets fly as Robert Shaw, Hector Elizondo and Martin Balsam hijack a southbound No. 6 train, the ransom-carrying cop car jackknifes in Astor Place, and TA cop Walter Matthau negotiates via subway squawkbox. Homaged by Quentin Tarentino, who heisted his color-coded Reservoir Dogs crooks from it, this is a rare 35mm print. A previous time we played this (in a 16mm print lent by screenwriter Peter Stone) was 12/22/94, the day of the notorious IRT fire-bombing.
AN MGM DISTRIBUTION RELEASE
1:30, 3:35, 5:40, 7:45, 9:50
SPECIAL THANKS TO MGM’S JOHN KIRK.

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TUES, AUGUST 21
DOUBLE FEATURE

REPORT TO THE COMMISSIONER

(1975, Milton Katselas) The "groovys" go flying in this period-dialogued cross between Serpico and Watergate, with idealistic hippie nerd cop trainee Michael Moriarty playing the fall guy as that corruption scandal broadens, with Saks Fifth Avenue shootout a highlight. With Yaphet Kotto as a Black cop overly rough on Black perps and Richard Gere in his debut - as a sleazy pimp!
3:40, 7:40

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REPORT TO THE COMMISSIONER
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ACROSS 110th STREET

(1972, Barry Shear) "Somebody f*** with my balls, I'd talk too!" philosophizes a hood on the run from ambitious Mafioso Tony Francioso. Old-style cop Anthony Quinn and Buppie detective Yaphet Kotto are also on the trail in Hollywood's first all-hand-held-shot feature, filmed entirely in Harlem.
1:45, 5:45, 9:45

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WED & THURS, AUGUST 22 & 23
DOUBLE FEATURE
BULLETS OR BALLOTS

BULLETS OR BALLOTS

(1936, William Keighley) When Bronx detective Edward G. Robinson is kicked off the force, the only thing to do is to join the gang of racketeers led by Barton MacLane and Humphrey Bogart. Based on the real-life Johnny Broderick, who greeted thugs with a friendly tap on the shoulder with a newspaper-concealed lead pipe. Plus The Public Pays, a "Crime Does Not Pay" short.
1:00, 4:25, 7:50

Tribute to Edward G. Robinson

SERGEANT MADDEN

(1939, Josef von Sternberg) Fatherhood and police work make a tough mix for proud flatfoot Wallace Beery, as son Alan Curtis, far from carrying on the tradition, plugs a fur stealer, gets jailed on a phony bribery rap, and then...
2:50, 6:15, 9:40

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Poster from THE BIG HEAT from POSTERITATI
FRI & SAT, AUGUST 24 & 25
DOUBLE FEATURE

THE BIG HEAT

(1953, Fritz Lang) Blowing up rogue cop Glenn Ford's wife proves a tactical error for the town's kingpin, in Lang's powerhouse crime picture. Hood Lee Marvin, good-hearted moll Gloria Grahame, and a pot of scalding hot coffee add sizzling support.
1:00, 4:40, 8:20

OGUE COP

ROGUE COP

(1954, Roy Rowland) Detective Robert Taylor sure enjoys that dirty money from kingpin George Raft, but even he draws the line when younger brother/ honest cop Steve Forrest gets bumped off. With Janet Leigh as the widow. Plus Buried Loot, a "Crime Does Not Pay" short.
2:40, 6:20, 10:00

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SUN, AUGUST 26, 2001
DOUBLE FEATURE
THE NAKED CITY

THE NAKED CITY

(1948, Jules Dassin) The seminal all-location film noir from the director of the French noir Rififi (though director Dassin is actually a native New Yorker). When a young woman's murdered on West 83rd Street, the 10th Precinct's Barry Fitzgerald and Don Taylor track down leads from Stillman's Gym to the Roxy Theater to the City Morgue to Roosevelt Hospital, with final showdown on the Williamsburg Bridge.
2:45, 6:15, 9:45

Links:

AN EVENING WITH JULES DASSIN

The legendary director will appear in person on Tuesday, October 9, at 8:00 pm, to discuss his stage career (starting with the Yiddish theater of the 1930s), his film career (from servitude at MGM to his own independently-produced films), the Hollywood blacklist, and his wife and muse Melina Mercouri, as well as his continuation of her lifelong dream: to bring the Parthenon Marbles back to Greece. Plus excerpts from many of his classic films including The Naked City, Topkapi, Never on Sunday and Rififi.

Please note that the print of CRY OF THE CITY is unavailable. It will be replaced by KISS OF DEATH

KISS OF DEATH

(1947, Henry Hathaway) "I thought you was my pal!" Even the Tombs looks good to kid-loving squealer Victor Mature, after being tormented by giggling psycho Tommy Udo (Richard Widmark's electrifying debut), forever enshrined in movie baddiedom as the guy who propels an old lady in a wheelchair down a flight of stairs. Shot on locations from Queens to the Chrysler Building.
1:00, 4:30, 8:00

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TUES & WED, AUGUST 28 & 29
DOUBLE FEATURE

WHO KILLED TEDDY BEAR?

WHO KILLED TEDDY BEAR?

(1965, Joseph Cates) The apex of 60s exploitation pix, with Sal Mineo as a proto-Travis Bickle: a pornophilic, body-building Times Square (filmed in its seedy heyday!) habitué fixated on disco dancer Juliet Prowse, while detective Jan Murray eavesdrops. A smorgasbord of Hollywood taboos, including masturbation, rape, incest, child abuse, transvestism, lesbianism, you name it.
2:45, 6:15, 9:45

Please note that the print that we received of GOD TOLD ME TO is unplayable. It will be replaced by a new 35mm print of COP HATER, and the short The Luckiest Guy in the World.

COP HATER

NEW 35mm PRINT! (1958, William A. Berke) When the third detective killed in the 87th Precinct is his partner, Robert Loggia's Steve Carelli begins to question whether the murderer is the eponymous serialist. From the Ed McBain novel. Plus The Luckiest Guy in the World, a "Crime Does Not Pay" short.
Showtimes: 1:00, 4:30 and 8:00.

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THURS, AUGUST 30 THROUGH SUN, SEPTEMBER 2
DOUBLE FEATURE
SWEET SMELL OF SUCCESS

SWEET SMELL OF SUCCESS

(1957, Alexander Mackendrick) "Come Here, Sidney, I want to chastise you."
The rancid underside of the Great White Way, as Tony Curtis's sycophantic publicist Sidney Falco plays errand boy to Burt Lancaster's Winchell-like columnist J.J. Hunsecker, while menaced by sadistic cop Emile Meyer. James Wong Howe's glistening, location-shot b&w cinematography captures late 50s midtown in the minutest detail, from the marquees of Times Square to a shadowy street below the Queensboro Bridge.
2:55, 6:40, 10:25

Trailers:
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THE WRONG MAN

THE WRONG MAN

(1956, Alfred Hitchcock) Returning at dawn to Jackson Heights, Stork Club bass player Henry Fonda finds himself trapped in a classical mistaken-identity case. Shot by Hitch in ruthlessly restrained semi-doc style on the locations of the actual case, with harrowing sequence of Fonda's booking and arraignment.
1:00, 4:45, 8:30

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TUES & WED, SEPTEMBER 4 & 5
DOUBLE FEATURE

JOHNNY O'CLOCK

NEW 35mm PRINT! (1947, Robert Rossen) When a crooked cop and then his girlfriend are found dead, gamblers Dick Powell and Thomas Gomez are both prime suspects for Inspector Lee J. Cobb.
2:15, 6:00, 9:45

JOHNNY EAGER

(1941, Mervyn LeRoy) DA Edward Arnold's daughter Lana Turner falls for "honest taxi driver"/gambling bigwig Robert Taylor, setting the stage for blackmail, extortion, and fake and real murders; with Van Heflin in Oscar-winning role s Taylor's boozing, cynical, a bit too devoted sidekick.
4:00, 7:45

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BEAST OF THE CITY


THURS, SEPTEMBER 6
DOUBLE FEATURE

BEAST OF THE CITY

(1932, Charles Brabin) Walter Huston's tough police chief slugs it out with gangsters en route to a jaw-dropping finale. Jean Harlow's cop-corrupting mob mistress won her an MGM contract.
2:55, 6:00, 9:05

WHILE THE CITY SLEEPS

(1928, Jack Conway) Tough NYC flatfoot Lon Chaney takes in bubbleheaded flapper (and Queens native) Anita Page when her life's threatened by a gang boss.
1:25, 4:30, 7:35*
*live piano accompaniment by Steve Sterner at 7:35 show

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Poster images shown are from The Nostalgia Factory
Poster from
The Nostalgia Factory.

FRI & SAT, SEPTEMBER 7 & 8
DOUBLE FEATURE

ON DANGEROUS GROUND

(1951, Nicholas Ray) En route to a mountain manhunt, tough NYC cop Robert Ryan finds romance with blind girl Ida Lupino - sister to his sex killer prey. Striking opening scene: a woman's loving hand strapping on her husband's...shoulder holster.
1:40, 5:00, 8:20

WHERE THE SIDEWALK ENDS

(1950, Otto Preminger) Tough cop Dana Andrews, on the trail of kingpin Gary Merrill, escalates from police brutality to manslaughter. With Gene Tierney as the victim's widow. Screenplay by Ben Hecht.
3:15, 6:35, 9:55

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SUN, SEPTEMBER 9
DOUBLE FEATURE

SOMEONE TO WATCH OVER ME

NEW 35mm PRINT! (1987, Ridley Scott) Queens cop wife Lorraine Bracco (The Sopranos, Goodfellas) gets suspicious when hubbie Tom Berenger is stuck nursemaiding filthy rich murder witness Mimi Rogers - and she should be. With Law and Order's Jerry Orbach.
1:00, 6:00, 10:00

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NIGHT FALLS ON MANHATTAN

(1997, Sidney Lumet) Hot dog DA Ron Leibman decides fledgling assistant Andy Garcia is just the guy to prosecute the botched drug bust that put detective dad Ian Holm in the hospital, but then drug lord mouthpiece Richard Dreyfuss comes up with a self-defense plea - from crooked cops! With The Soprano's James Gandolfini.
3:55, 7:55

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TUES & WED, SEPTEMBER 11 & 12
CLOSED TODAY
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THURS, SEPTEMBER 13
Film Forum is open for business beginning on Friday, September 14.

Due to the curtailment of shipping to Manhattan, however, we may have difficulty in obtaining some prints, so we anticipate some schedule changes to our NYPD and KEATON festivals ONLY. PLEASE CHECK BACK ON OUR WEBSITE FOR ANY FUTURE CHANGES.

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FRI & SAT, SEPTEMBER 14 & 15
DOUBLE FEATURE

FILM FORUM IS CURRENTLY OPEN. PLEASE CHECK BACK ON OUR WEBSITE FOR ANY FUTURE CHANGES.

PHANTOM LADY

(1944, Robert Siodmak) "You like jive?" "You bet. I'm a hep kitten."
Ella Raines, with the aid of kindly (for a change) police inspector Thomas Gomez, desperately roams the sizzling New York streets for a condemned man's only hope to beat a wife-murder rap - the nameless woman he met in a bar. From Cornell Woolrich's novel.
3:20, 6:40, 9:55

I WAKE UP SCREAMING

(1941, H. Bruce Humberstone) In what's often considered the first true film noir, sports promoter Victor Mature finds "protégée" Carole Landis dead, then is alternately solaced by victim's sister Betty Grable and menaced by hulking detective Laird Cregar.
1:45, 5:05, 8:20

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SUN, SEPTEMBER 16
DOUBLE FEATURE
Due to the curtailment of shipping to Manhattan & difficulty in obtaining some prints, on Sunday, September 16, in place of the scheduled double bill of SHAFT and COTTON COMES TO HARLEM, we will present a double feature of MADIGAN (showtimes 3:35, 7:30) and THE DETECTIVE (showtimes 1:30, 5:25, 9:30). WE ARE, HOWEVER, SHOWING SHAFT & COTTON COMES TO HARLEM ON THURS, SEPTEMBER 27. PLEASE CHECK BACK ON OUR WEBSITE FOR ANY FUTURE CHANGES.

MADIGAN

MADIGAN

(1968, Don Siegel) By-the-book police commissioner Henry Fonda gives sticky-fingered cop Richard Widmark and partner Harry Guardino just 72 hours to retrieve the hyper, bespectacled killer they let escape. Based on a book that stirred a young Bostonian, William Bratton, to dream of one day becoming NYC's police commish.
3:35, 7:30

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THE DETECTIVE

THE DETECTIVE

(1968, Gordon Douglas) Detective Frank Sinatra must contend with nympho wife Lee Remick while tackling a case involving homosexuals, drugs, and corrupt colleagues, with his intense interrogation of sweaty hustler Tony Musante a highlight.
1:30, 5:25, 9:30

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TUES & WED, SEPTEMBER 18 & 19
DOUBLE FEATURE
THE TATTOOED STRANGER

THE TATTOOED STRANGER

(1950, Edward J. Montagne) When a brutally-murdered tattooed woman is found near the Reservoir (pre-joggers), a homicide rookie trails a serial killer from Brooklyn to the Bronx. "One of the seediest films ever made." - Carl Macek. Plus a "Crime Does Not Pay" short directed by Joseph Losey!
TUE 1:10, 4:30, 7:50
WED 1:10, 4:30 - SEE BELOW FOR EVENING SHOW INFORMATION

GUILTY BYSTANDER

(1950, Joseph Lerner) Ex-cop Zachary Scott, reduced to house detecting for Mary Boland's waterfront flophouse, dries out long enough to track down his kidnapped son in "some of the seamier areas of NYC" (Robert Ottoson). "Plenty of sleazy atmosphere." - NY Times.
TUE 2:45, 6:05, 9:25
WED 2:45 ONLY - SEE BELOW FOR EVENING SHOW INFORMATION

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WED, SEPTEMBER 19 (separate admission)
DOUBLE FEATURE

THE LINE-UP AT POLICE HEADQUARTERS

(1914, Frank Beal) "How are crooks rounded up?"
After a millionaire wangles a detailed tour of NYC police HQ for his daughter, he's robbed of a 50G necklace; but deputy commissioner Dougherty is on the case. "A plot founded on official police records" is the narrative excuse for a rare documentary look at actual police operations, with commish Dougherty playing himself. 35mm color-tinted print courtesy UCLA Film & Television Archive.
7:40* ONLY
*live piano accompaniment by Steve Sterner at 7:40 show, PLUS - Special Added Attraction - see information below

CRADLE OF COURAGE

(1920, Lambert Hillyer & William S. Hart) After serving in WWI, ex-gangster William S. Hart joins the NYPD, only to find himself up against his old gang. Rare non-Western role for legendary cowboy star Hart.
6:30***, 9:20
***Live piano accompaniment by Ben Model at the 6:30 show

EXTRA ADDED ATTRACTION:

Immediately following the 7:40 screening of THE LINE-UP AT POLICE HEADQUARTERS, we will be showing rare views of turn-of-the-20th-century New York from the Library of Congress Paper Print Collection. Among the films to be shown are:
  • Panorama from the Times Building
  • Broadway and Union Square
  • NY Police Parade 6/1/1899
  • Move On
  • What Happened on 23rd St
  • Happy Hooligan
  • 2AM in the Subway
  • The Skyscrapers
Total running time: Approximately 16 minutes

Links:

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THURS, SEPTEMBER 20
DOUBLE FEATURE
ME AND MY GAL
FOR THE LATEST INFORMATION ABOUT
CHANGES IN THE NYPD SCHEDULE

ME AND MY GAL

(1932, Raoul Walsh) Cop Spencer Tracy's slanging matches with hash-slinger Joan Bennett are spiced with a hilarious parody of O'Neill's "Strange Interlude," in unsung 30s classic.
1:00, 4:10, 7:20, 10:30

THE BOWERY

(1933, Raoul Walsh) George Raft (as legendary Brooklyn Bridge jumper Steve Brodie) and rival fire chief Wallace Beery let Chinatown burn as they vie for the love of "skoit" Fay Wray, while no ethnic group is spared by bowery boy Jackie Cooper, in Walsh's rowdy celebration of Gay 90s low life.
2:30, 5:40, 8:50

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FRI & SAT, SEPTEMBER 21 & 22

THE WARRIORS

FOR THE LATEST INFORMATION ABOUT
CHANGES IN THE NYPD SCHEDULE
NEW 35mm PRINT!

(1979, Walter Hill) As color-coded gangs gather in thousands in the Bronx, charismatic leader Cyrus is assassinated and the finger points, mistakenly, at the Warriors - now it's one long train ride back to Coney. Stylized violence-packed update of Xenophon's Anabasis, with Mercedes Ruehl briefly recognizable among the otherwise anonymously spectating cops.
1:15, 3:00, 4:45, 6:30, 8:15, 10:00

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FOR THE LATEST INFORMATION ABOUT
CHANGES IN THE NYPD SCHEDULE
SUN, SEPTEMBER 23
DOUBLE FEATURE
SERPICO NEW 35MM PRINT!

SERPICO

(1973, Sidney Lumet) "Who can trust a cop that don't take money?"
Set up for a fall by his partners, Al Pacino as real-life Frank Serpico* flashes back to his beginnings as a naive, idealistic police recruit from a bearded, hippie-like undercover detective on a relentless mission against police corruption. Shooting on 107 different locations around the city, Lumet delivered his first butt-kicking action picture. Based on the book by Peter Maas.
2:15, 7:00

Available from Amazon.com: Serpico (the book) by Peter Maas

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Q & A

(1990, Sidney Lumet) Outside a Hispanic "Members Only" club, racist Irish cop Nick Nolte bumps off a drug dealer, then plants a gun; with equally Irish Assistant DA Timothy Hutton called in to take the pivotal q&a session of the title. One of the most scathing examinations of the inter-ethnic hatreds and fears of NYC's unmelting pots.
4:35*, 9:20
*Judge Edwin Torres, author of the novel Q & A, will speak at the 4:35 pm screening of Q & A.

Trailers:

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FOR THE LATEST INFORMATION ABOUT
CHANGES IN THE NYPD SCHEDULE
TUES, SEPTEMBER 25
NEW 35mm PRINT!!

CONTRACT ON CHERRY STREET

(1977, William A. Graham) When his partner is gunned down, Inspector Frank Sinatra decides it's time to take on the downtown Mob - way downtown. Made for TV, this was Ol' Blue Eyes' first film after seven years "retirement."
1:00, 3:45, 6:30, 9:20

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FOR THE LATEST INFORMATION ABOUT
CHANGES IN THE NYPD SCHEDULE
WED, SEPTEMBER 26
DOUBLE FEATURE

COP LAND

(1997, James Mangold) Sly acts! When a cop witness to a bad shootout gets stashed in a seemingly all-NYPD enclave in Jersey headed by "connected" Harvey Keitel, Internal Affairs man Robert DeNiro comes nosing, and even half-deaf, chunky (he gained 40 lbs) sheriff Sylvester Stallone gets to finally enforce the law.
4:00, 8:00

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Demmie Todd from ROMEO IS BLEEDING

ROMEO IS BLEEDING

(1993, Peter Medak) Graft-obsessed, sex-crazed Queens cop Gary Oldman gets in WAY over his head when he accepts suave kingpin Roy Scheider's contract on grinning fetishistic psycho über-dame Lena Olin - "a femme fatale who practically breaks the mold." (Foster Hirsch).
2:00, 6:00, 10:00

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THURS, SEPTEMBER 27
DOUBLE FEATURE
FOR THE LATEST INFORMATION ABOUT
CHANGES IN THE NYPD SCHEDULE
PRINCE OF THE CITY has been cancelled and replaced with the double bill of SHAFT and COTTON COMES TO HARLEM, (originally scheduled for September 16).

SHAFT

(1971, Gordon Parks) "Who's the Black private dick that's a Sex Machine to all the chicks?"
Richard Roundtree is John Shaft, one cool dude in turtleneck and leather jacket, bopping down The Deuce to the beat of Isaac Hayes' Oscar-winning theme song, and handing his cop pal Charles Cioffi the bodies of half the drug dealers on the East Coast.
2:50, 6:30, 10:10

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COTTON COMES TO HARLEM

COTTON COMES TO HARLEM

(1970, Ossie Davis) When masked men steal 87 grand from Rev Calvin Lockhart's "Back to Africa" fund, a rat is smelled by African-American cops Gravedigger Jones (Godfrey Cambridge) and Coffin Ed Johnson (Raymond St. Jacques). Based on stories by Chester Himes.
1:00, 4:40, 8:20

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FRI, SEPTEMBER 28 - THURS, OCTOBER 4
(except Monday, October 1)
NYPD Series Continues with
William Friedkin's

THE FRENCH CONNECTION

Showtimes: 2:00, 4:00, 6:00, 8:00, 10:00

For more information about our presentation of THE FRENCH CONNECTION

Coming Thursday, October 9, 2003 - THE FRENCH CONNECTION II

Coming

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Questions/Comments? E-mail Film Forum. Box Office: 212-727-8110. Repertory screen is programmed by Bruce Goldstein. (Schedule subject to change). © 2001, The Moving Image, Inc. All rights reserved. Not to be reproduced without permission. Website Manager: Richard J. Hutchins. This page was last updated on June 23, 2003 .
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