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"The CITIZEN KANE
of jukebox musicals!"
-Andrew Sarris
NEW!! Watch
the trailer!
Q: Are you a mod or a rocker?
Ringo: I'm a mocker.
(1964) Just another day in the life: fleeing from screaming fans at a train station, contending with a "very clean" grandfather, jamming in a baggage car, cavorting in a field, wandering by a river, weirding out knotted-browed reporters with absurdist comebacks, wowing crowds at an orgasmic final concert - the Beatles' film debut rocketed them to another level beyond the latest pop faves as even squarely middle-aged critics, their knives sharpened for yet another schlocky teen idol exploiter, were disarmed into grudging hosannas.
Q: Tell me, how do you find America?
John: Turn left at Greenland.
Richard Lester - on a $500,000 budget - melded his mastery of commercials with New Wave techniques in a semi-documentary style that created something new - and since endlessly imitated - along with Alun Owen's screenplay in which scripted one-liners and the occasional ad-lib blend seamlessly, thanks, of course, to the exuberant, anarchic personalities of the Fab Four themselves.
Q: What would you call that hairstyle?
George: Arthur.
And those songs just keep on coming: "I Should Have Known Better," "Can't Buy Me Love," "All My Loving," "I'm Happy Just to Dance With You," "She Loves You," and the title song, inspired by a chance remark by Ringo and written overnight by Lennon and McCartney after filming was completed. "Hard Day's Night's curious structure was really just the chronicling of the explosion of youth as a power in this country. The Beatles told everybody you can do anything you damn well like - just go out and do it!" - Lester.
Showtimes: 2:40, 6:00, 9:20
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